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Die Pop-Hauptstadt Deutschlands ist...
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| Berlin |
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  37.9% |
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| eine andere |
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20.7% |
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| Hamburg |
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17.2% |
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| Köln |
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17.2% |
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| München |
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6.9% |
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CD-Review ::: Ennio Morricone - Fateless |
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Zu diesem Filmscore lassen wir den Maestro selbst zu Wort kommen:
"In the beginning of the film we meet a young boy, who in the end leaves us with the spirit of a grown man. Because of the dramatical experiences he had gone through, which most likely he will never forget.
In the film we can hear three different musical themes. Let's just say if we want to differentiate them then we can call the first style a folk motivator, which later is mixed with sounds of the lives of children, which portrays a naive, innocent and peaceful kind of atmosphere. Which became the title music. This choice was important for me because I wanted to emphasize the rare emotional world of this young boy who is going through an extremely tragical period in his life.
Then came what we called the 'lonely' musical theme, and then by the end it changed to the 'suffering' motivator, which is to emphasize the most tragical points of the movie.
When we talk about the co-production between the composer and the director, the best thing possible is when the director can surprise himself with the music heard at the moment. That's exactly what happened with us in the studio. Because of this an amazing relationship developed between Koltai Lajos and myself, when we discovered that the music put satisfaction on both our faces. Well at least that's how I felt about what the music has brought forth so far.
Most likely I would've also seen the importance of a women's voice to build up the important, crucial points in the music. However Lajos beat me too it: He had even noticed two places, and I gladly admitted that he was correct.
Lisa Gerrard (Dead Can Dance) is a fantastic singer, with a beautiful organelle voice. We truly built a lot of the music to fit her rare archaic voice.
I thought it was very important to integrate the 'cimbalom' into the theme music. I'm familiar with the findings of Bartok, I had studied them before on how they used this instrument in folk music and also symphonic music. However I wanted something different, the 'cimbalom' is an extraordinary instrument, its tone is exciting, just by a note played that by itself gives of Hungarian charisma. It has such a strong individuality to it, that with a few notes being played, it's not questionable anymore which country its representing, however because of the musical style we don't take the tragedy to the fate of only Hungarians, because we all know that this tragedy was a bit more international. We are all witnesses to this worldwide crisis, even if the events in the film started off in Hungary, and the main actor returns to Hungary. This is an international dramatic event, and just happens too be that the character and the creator are both Hungarian.
I suffered plenty in the creation of each and every piece of my work, therefore I had fell in love with them as well. However this film has grown especially close to my heart. Even I don't understand how this works, but every time I think about a scene in the film I become sensitive and I have to fight against my tears. What Koltai Lajos had created, I feel it has become very much mine as his. And from now on it will stay in my heart."
Ennio Morricone im Dezember 2004
Ole Cordua
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Ennio Morricone bei ebay |
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